G'wan - scarper! |
The programme is one of the most poignant, infuriating and heartening sixty minutes of television I’ve ever seen. It’s unashamedly polemical: it couldn’t be less even-handed if it tried. But it’s bloody hard to see how anyone could be fair to the self-satisfied pack of fucking fools who, in the name of progress, destroyed practically everything that gave meaning to the lives of tens of thousands of doughty Cockneys even more effectively than Hitler’s bombs.
There’s a telling sequence from 4’45” onwards where a long-time local
shopkeeper steps out the front door of his shop, crosses the road and points
out where all his relatives used to live, and what they got up to. Their homes have all been knocked down
and replaced by pointless open spaces and dreary blocks of flats - the usual depressing modern urban kipple. I particularly enjoyed the old geezer, straight from
Central Casting, who strolls past the camera mid-interview and shouts out:
“Tell ‘em the truth, how they fucked everyfink up!”
My God – did they ever! Architects influenced by European
modernists were determined to tear down old London, with its slums and open-air markets
and chaotic, bustling, twisting streets full of life and jokes and noise and
argy-bargy in order to re-engineer it, so that each area would have a defined
purpose (?).
“Pubs, schools and churches are all jumbled up together in a
hopeless confusion” the narrator of a propaganda film of the time tells us in a patronising, schoolmasterly tone. “… all
these bad things must go, and the sooner the better. You see, the trouble is
that London grew up without any plan or order…”
Actually, dickhead, it was the lack of planning that made it
such a gloriously lively city in the first place. And who exactly was
hopelessly confused? Certainly not the people who lived there. As for planning, nothing could be less orderly or coherent than the mess you and your ilk created.
According to the modern voice-over: “A plan for a future, re-imagined London… [the] chaotic random city is to be removed, earmarked for
widespread demolition, and the creation of efficient new tower blocks. Chelsea
and Kensington and most of West London are to be left untouched… a vast,
Modernist socialist experiment is to be carried out in the working class East
and South.”
As with practically every single socialist experiment ever
visited on ordinary folk in the name of progress, it turned out to be an inhumae, life-destroying disaster.
"Does your Mum sew, Sir Patrick?" |
Town planning guru Sir Patrick Abercrombie and John Forshaw,
Chief Architect for the London County Council, appear to have been key players in this
monstrous assault on the lower orders. Their motives, of course, were pure: they were simply improving the lives of poor people. I hope they lived long
enough to see the TV interview with a Deptford housewife whose family had recently been
transplanted to some featureless, God-forsaken suburban dump, who had
become so depressed she used to go out and “smash things” to relieve her misery. Pity she never got
her hands on Sir Patrick Abercrombie or John Forshaw - it's hard to imagine two people more thoroughly deserving of a punch up the hooter.
One old boy, interviewed (one presumes) in the early '60s by a
nice lady reporter is asked what he’ll do if a plan to close Deptford Market
goes ahead, “Well, I’ll 'ave to go fievin’, won’t I, mate.” (Fortunately, the deranged plan to rip the beating heart out of the community was defeated - the market survives to this day.)
Deptford Stables, Murray's Alley - how confusing! |
Yes, there were slums, and yes, there was genuine poverty and criminality, and, yes, it wasn’t very practical for cars – but,
nevertheless, it was a lively community, with a thriving High Street, tons of busy pubs and successful shops, and lots of massively extended families many of whom had been living there for
several hundred years. It was a genuine, living, working, breathing, boozing,
smoking, brawling, bustling community, seething with life. Now that most of the
original Deptfordians have been ethnically cleansed, the place looks ugly and desperate and dying.
So how did well-intentioned people get it so wrong? In one of the key works that kick-started the Libertarian
movement in America, The God of the
Machine, published in 1943, Isabel Paterson wrote:
Most of the harm in the world is done by good people, and not by accident, lapse, or omission. It is the result of their deliberate actions, long persevered in, which they hold to be motivated by high ideals toward virtuous ends…
Of course, some of Deptford’s housing deserved to be
destroyed and replaced – there were lots of genuine slums in the area. But it
was a time of relative plenty – people had “never had it so good” – and most residents
were proud of their homes and kept them in good nick: many were using their
new-found prosperity to do them up. And very few of them wanted to leave. But the planners were so convinced of the
rightness of their cause, so proud of their own enlightened compassion, that
they happily lied about the state of housing – for instance, deliberately ignoring reports that whole
streets were viable – in order to implement their soul-destroying vision.
This sort of neo-fascist thinking persists to this day.
Remember Labour’s half-witted communist bully-boy of a Deputy Prime Minister,
John Prescott’s determination to bulldoze streets of perfectly redeemable terraced houses in
Liverpool in the early Noughties, despite everyone telling him that it would
make more social and economic sense to do a bit of refurbishment instead? Not good enough, obviously - these self-important wankers demand a legacy.
My reaction to The Secret History of Our Streets was
probably magnified by having just read the excellent Building London: The Making of a Modern Metropolis by Bruce Marshall, which is stuffed with poignant
photographs of London then and now, including several of Deptford.
I can’t recommend the book highly enough – or the TV series, which represents genuine landmark television. The
Deptford episode is being re-broadcast on BBC Two tonight at 11.20pm, and the next episode, Camberwell Grove, which looks at the fate of one street that managed to escape the bureaucratic blitz, is being shown at 9pm on BBC Two tomorrow (details here).
We're in Scruton country here, "Scrutopia" as he calls it.
ReplyDeletePatriotism, he says, is based on a love of the land, see his Political Philosophy book. The land has a particular character. Like a person. The face of the earth really is a face.
(There is an adventitious argument here making it seem logical to have a House of Lords comprising the landed gentry, who look after the land which bonds us all, including generations gone by and generations yet to come.)
The face of a person reveals them. That's what we interact with, seeing it is how we understand them and how we understand what it is to be a person.
(Back in 2003 when every intellectual in the country was asked to justify going to war with Iraq, Scruton produced his The West and the Rest, in which he argued that Christianity rather helpfully has a render-unto-Caesar clause missing from certain other religions which consequently have a bit of a problem acknowledging any temporal power. Now in The Face of God he adds that the genius of Christianity is to have produced a God with a face, a God people can thereby interact with instead of Him being totally mysterious, unknowable, noumenal and forever hidden behind veils of appearance.)
Buildings, too, have faces. It's not just that the windows are the eyes of a house but a house, a village, a town has a character and in particular it offers a haven, it is a home ...
At least it has a comprehensible character and feels like home if it is designed according to the local vernacular, which evolves slowly and naturally. What does it evolve from? Ultimately, Scruton says, from the design of the temple, the house of God, the original home written in the original language of architecture.
The misery that induces the desire to go out and "smash things" may be the effect of living in a meaningless building that grows out of no tradition and may as well be on another planet and certainly isn't a home and owes nothing to God (or contains nothing of God's, perhaps better).
Just thought I'd mention it.
I made the mistake of lending Scruton's "The Meaning of Conservatism" to a left-wing work colleague many years ago who - inevitably - never returned it (and now he's dead, so I'm assuming that's the last of that). Anyway, I'll get hold of Political Philosophy and read that instead - the architecture and Face of God arguments strike me as excellent. The "render unto Caesar" argument seems crucial to understanding the difference between islam and Christianity - I'm not sure how practicing Muslims wouldn't feel compelled to impose a theocratic state wherever they live, whereas Christians who want to tax everyone 95% so it can all be handed over to the poor evidently haven't read the New Testament (or, if they have, haven't understood it). I also wonder what they make of "For ye have the poor always with you; but me ye have not always", but I'll leave that for another day. I'll also get round to "The Face of God" - I presume he hasn't become a Believer?
ReplyDeleteAnyway, thanks for this - meaty stuff.
Is the suggestion that this unfortunate left-winger died because he borrowed Scruton's book?
ReplyDeleteM'lud, on behalf of my client M.C.Skank-u-Up, also known as Herbert Lillywhite, a respected member of the Croydon Massive, I wish to enter what will be known to you as the Scruton defence in relation to the charge that he, acting with persons unknown, did set fire to the block of flats commonly known as Winnie Mandela Gardens during the recent and unfortunate disorders in South London.
ReplyDeleteIn my client's own words: " Me want smash it oop, cos I is induced by misery. Dis place don't grow out of no tradition, innit, an' it owe nuffink to Ja, who live on anuvva planet.It contain nuffink of his neither cos I looked when I was thievin' it".
20 hours community service.
Hush up! Just for talkin’ I now charge you for contempt and that is a separate one hundred years. I hereby sentence you to 400 years. I said hush up, hush up! Your sentence of 400 years and 500 lashes… I am going to set an example. Rude boys don’t cry – don’t cry!… Court adjourned. Take him away.”
DeleteMr. Moss, I was going to say that he died because I placed a curse on the book - but that would be tasteless. He was an art critic working for the same magazine as me. He had placed a call to the NUJ asking about joining. One afternoon I heard him receive a call back from some fascist union employee, who tore him off a strip for writing for our magazine without being a union member. The exchange ended with the immortal words: "Look, nothing would now induce me to join your fucking union, so just fuck off, all right?" I thought he might be ripe for conversion and leant him the Scruton book the following day. He kep telling me how fascinating it was - but then I left the magazine, and forgot to ask for it back. And he didn't die for several years, so I don't think I can blame Scruton.
ReplyDeleteOur guests arrive in eight minutes. I shall spend the whole dinner now worrying whether M'Learned friend has correctly discerned D. Moss at the bottom of an elephant trap.
ReplyDeleteCredit where credit is due. I shall hereafter (as we lawyers say) term it the Moss defence. I hope that your soiree went well.
ReplyDeleteIt's been nearly two weeks now. I have decided that I am not at the bottom of an elephant trap. The defence offered by A Lawyer in the case of rude boy Herbert Lillywhite is perfectly sensible.
ReplyDeleteYou can tell that because it would infuriate Richard Dawkins and Polly Toynbee. So much so that they would no doubt advise throwing the book at the little pest, locking up poor old M.C.Skank-u-Up and throwing away the key.
"I was brought up on an illiterately designed and godforsaken public housing complex" should be a quite powerful plea in mitigation.
Obviously the judge would have to insist that responsibility for his actions must remain with H Lillywhite Esq, as a moral agent, but the difficulty of exercising his judgement rationally while living in extra-terrestrial surroundings designed by torturers who manifestly hate the human race should reduce the length of custody recommended.
If Herbert was training as a curate in the Church of England having been to school at Winchester with its perfect architecture and studied at Oxford and yet still have pursued his skanking, then he would be more guilty and face a longer sentence.
Judges have to be practical. They have to arrive at decisions that do not outrage an open court or the wider community. That's their job and the Moss (or Scruton) defence should have some leverage.
By the way, over in the US, in Oklahoma, there is a lady of my brief and limited acquaintance bringing a case against the equivalent of the Driver and Vehicle Licensing Authority. She objects to having her biometrics recorded. What sort of a case would you mount? Here's her case, as reported on Fox 25.
It's a defence to be used sparingly. After all, many of these places house people who might conceivably find themselves coming to the attention of the authorities. A successful plea in mitigation for one or two of them based on housing design aesthetics would quickly establish a defence that all could exploit, including those who find living in a tower block an inspirational and purifying experience.
ReplyDeleteIt's unusual to find some one in the Gronmark blog advocating reliance on the good sense of the judiciary but you are probably right.
In case you are still worrying, fear not Mr Moss. I have abandoned any intention of deploying the Scruton-Moss defence. The Bishop of Bath and Wells has provided a much more convincing argument that for youths without hope rioting is a form of spiritual awakening. Judges like a witness with a bit of purple rather than your average IT specialist// philosopher, so the Bish is the one to go for. Comsider yourself stood down.
ReplyDeleteI am still worrying but, like you, I find solace in the uplifting words of Bath and Wells.
ReplyDeleteI remember watching this programme too. I was as heartbroken and infuriated by it as you were.
ReplyDelete